November 2024
Featuring interviews with Mel Bochner, Laurent Le Bon, Sonia Boyce, Bruce Nauman, and Haim Steinbach. Guest Critic Natalie Prizel: “EARLY/MODERN/ITALY”.
The “November 2024” Issue of the Brooklyn Rail was published on October 29, 2024.
ArtSeen
Scott Burton: Shape Shift
– By Amanda GluibizziCarl Cheng: Nature Never Loses
– By Hannah Sage KayJimi Kabela: Amalgamation
– By David EbonyBeyond the Line: From Finite to Infinite, From Physics to Metaphysics
– By Maximiliane LeuschnerLoretta Dunkelman: Engrossed in the Shell (the Sky and the Circle)
– By Elizabeth BuheFrancis Alÿs: The Gibraltar Projects
– By Amanda GluibizziAnne Wilson: The MAD Drawing Room and Errant Behaviors
– By Buzz SpectorAda Friedman and Helen Adam: Ballads
– By Elizabeth BuheDenzil Forrester: Two Islands, One World
– By Mark BlochJudy Glantzman and Stephen Lack: Over Decades
– By Taliesin ThomasFox Hysen and Molly Zuckerman-Hartung: schips
– By Hannah BeermanChakaia Booker: Empty Seat
– By Farren Fei YuanLinnéa Gad: Return of the Mollusk
– By Natalie GinsbergErin O’Keefe: I saw the man with a telescope
– By Hearne PardeeJames Holl: Indeterminate Landscapes
– By Taliesin ThomasRonnie Landfield: Recent Works
– By Ara OsterweilRichard Serra at Gemini G.E.L.: Five Decades of Printmaking
– By Ekin ErkanOlafur Eliasson: Your psychoacoustic light ensemble
– By Ann McCoyTerry Adkins: Works on Paper
– By Alfred Mac AdamOscar yi Hou: The beat of life
– By Joseph AkelMotohiro Takeda: Something To Remember You By
– By Gao YuanCady Noland
– By Saul OstrowWarren Rohrer: Return to Land
– By Alex GrimleyElliott Puckette: Unfolding
– By Ekin ErkanLorenzo Amos: No Regrets Because You’re My Sunshine
– By Ginevra de BlasioKeith Jackson: The Provocateurs
– By Annabel KeenanCynthia Carlson: EDGES INSIDEOUT
– By Joe FyfeNicole Eisenman: Fixed Crane
– By Jason RosenfeldLiliane Tomasko: Twofold
– By Declan LongGiorgio Morandi: Time Suspended, part II
– By Lyle RexerCameron Rowland: Properties
– By Reese LewisFrancine Tint: In Dialogue With Helen Frankenthaler
– By Alex GrimleyRafael Domenech: Prologue: Residual Images in Italics
– By Laurie RojasMiquel Barceló: Vida y Muerte
– By Jurriaan BenschopPeter Wayne Lewis: Monk
– By William CorwinSara Cwynar: Baby Blue Benzo
– By Jason DrillJordan Weber: New Forest, Ancient Thrones
– By Justin DuyaoTristan Duke: Glacial Optics
– By Jordan EddyElizabeth Catlett: A Black Revolutionary Artist and All That It Implies
– By Jessica HolmesGala Porras-Kim: The motion of an alluvial record
– By Annabel KeenanCrossing Over: Art and Science at Caltech, 1920–2020
– By Adam LudwigPanmodern! The Mark Bloch / Postal Art Network Archive
– By Tom McGlynnThe Appearance: Art of the Asian Diaspora in Latin America & the Caribbean
– By Amanda Millet-SorsaTimothy Yanick Hunter: Noise / Grain
– By Rômulo MoraesChie Fueki: Petal Storm Memory
– By Hearne PardeeThe Experimental films of Dick Higgins
– By Mark BlochRobert Longo
– By Steven PollockMichelle V. Agins: Storyteller
– By Jillian RussoPeter Kennard: Archive of Dissent
– By Bartolomeo SalaTurner Prize 2024
– By Bartolomeo SalaJenna Bliss: Basic Cable
– By Joanna SeifterRobert Frank: Life Dances On, Robert Frank in Dialogue
– By James WellingRirkrit Tiravanija: DAS GLÜCK IST NICHT IMMER LUSTIG (Happiness is not always fun)
– By Toby Kamps