Sid Sachs

Sid Sachs is Director of the Rosenwald-Wolf galleries of University of the Arts.

On November 7, 2021, Woodmere Art Museum in Philadelphia hosted a panel discussion on the exhibition Body Language: The Art of Larry Day, which was organized by Woodmere in conjunction with the Rosenwald-Wolf Galleries at University of the Arts and Arcadia Exhibitions at Arcadia University.
Larry Day, Changes, 1982. Oil on canvas, 54 x 66 in. Courtesy Pamela and Joseph Yohlin.
Johns is like an Imagist poet; images don’t exhaust meaning, they just provide a vehicle for contemplation. The reason an image fixates us is that centering. Johns never provides ultimate answers, he just provides the opportunity for engagement.
Jasper Johns, Painting with Two Balls, 1960. Encaustic and collage on canvas with objects (3 panels), 65 x 54 1/8 inches. Collection of the artist. © 2021 Jasper Johns/VAGA at Artists Rights Society (ARS), New York.
Tom was one of the first postwar artists to question the heritage, hubris, and clichéd bloat of Abstract Expressionism. His intelligence transformed art as a political act; the creation of exquisite canvases that would fit in humble homes and not necessarily be destined for corporations or institutions
Portrait of Thomas Nozkowski, pencil on paper by Phong Bui.

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