Ruth Fine

Ruth Fine was a distinguished curator over four decades for the National Gallery of Art, Washington.

Indigenous Identities: Here, Now & Always is on view at the Zimmerli Art Museum at Rutgers University, New Brunswick Campus, through December 21, 2025. It is both the largest and the last exhibition of work by Native artists that was organized by Jaune Quick-to-See Smith. 

Installation view: Indigenous Identities: Here, Now & Always, Zimmerli Art Museum, New Brunswick, NJ, 2025. Courtesy Zimmerli Art Museum. Photo: McKay Imaging Photography.
This project developed from a conversation between Phong Bui and myself about art in the United States since what has long been referred to as the mid-20th century “Print Renaissance,” and my belief in the critica impact of printmaking on artists’ work in other media.
Ruth Fine. Pencil on paper by Phong H. Bui. Photo: Frank Stewart.
On November 7, 2021, Woodmere Art Museum in Philadelphia hosted a panel discussion on the exhibition Body Language: The Art of Larry Day, which was organized by Woodmere in conjunction with the Rosenwald-Wolf Galleries at University of the Arts and Arcadia Exhibitions at Arcadia University.
Larry Day, Changes, 1982. Oil on canvas, 54 x 66 in. Courtesy Pamela and Joseph Yohlin.
Soutine de Kooning: Conversations in Paint is comprised of approximately 50 energetic and ravishing paintings, each of them a special treat to encounter, all the more so at this time in which visits to museums have been radically curtailed.
Willem de Kooning, Queen of Hearts, 1943–46. Oil and charcoal on fiberboard, 46 1/8 x 27 5/8 inches. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC. Gift of the Joseph H. Hirshhorn Foundation, 1966. Artwork © 2021 The Willem de Kooning Foundation / Artists Rights Society (ARS), New York. Photo: Lee Stalsworth, Hirshhorn Museum and Sculpture Garden.

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