Unaware that Rosalind Krauss referred to the same film in her 2011 essay “Clock Time,” at multiple points during the hour I turned to thinking about Michael Snow’s Wavelength (1967) and the commonly held idea that it is a forty-five minute zoom. Reductively speaking, this is true. Nevertheless, the image advances from a wide shot to a close-up with a movement that is neither smooth nor continuous; so many things happen in between.

These Lil’ Richie photo-funnies star a self-caricature sketched by Foreman in one of his hundreds of notebooks. Lampert discovered the doodle while digging through the Richard Foreman and Kate Manheim Papers at The Fales Library & Special Collections at New York University.