In Ourselves and the Expression of Ourselves at Tanya Bonakdar Gallery, Lisa Oppenheim considers twentieth-century photographer Edward Steichen’s long fascination with flowers.

Jenny Calivas’s exhibition Self-Portraits While Buried, now on view at Yancey Richardson, consists of six 50 by 40-inch black-and-white prints that Calivas made between 2019 and 2021.

In his third show at Yancey Richardson, the California photographer John Divola presents two bodies of work separated by almost fifty years: “Vandalism” (1973–75) and “Blue with Exceptions” (2019–24).

Michael Asher (1943–2012) approached each exhibition as a unique situation, and when the show closed that was that. Nothing remained. In a sense, Asher worked more like a dancer than a traditional object-maker, and the ephemerality of his work appeared to foreclose a posthumous exhibition.

Life Dances On, Robert Frank in Dialogue, at the Museum of Modern Art, is an ambitious and courageous exhibition. Curated by Lucy Gallun, who also edited a new monograph on Frank on the occasion of this exhibition, Life Dances On highlights the photographs and film work that Robert Frank made after his epoch defining book The Americans.

Old Growth, Mitch Epstein’s new exhibition at Yancey Richardson, showcases the artist’s recent photographs of very old trees.