Dec/Jan 22–23
Featuring interviews with Omar Ba, Gabrielle Goliath, Richard Jackson, and Tom Sachs. Guest Critic Lubbock Scapes Collective: “margins….”
The “Dec/Jan 22–23” Issue of the Brooklyn Rail was published on December 7, 2022.
Critics Page
margins…
– By Lubbock Scapes CollectiveEnvironmental Boundaries
– By C.J. AlvarezWondering Around
– By Priscilla Solis YbarraLlano Estacado
– By Ashton ThornhillMesuras de luz / Moderation of Light
– By María SánchezTruckload of Art
– By Terry AllenLubbock, God Love It, So Do I
– By Jo Harvey AllenMALIGNED
– By Danielle Demetria EastExpression of a Common Touch
– By Lucía Jalón OyarzunOn Location
– By Barry Lopez
Publisher's Message
Dear Friends and Readers,
– By Phong H. Bui
ArtSeen
Leiko Ikemura: Anima Alma - Works 1981–2022
– By Jonathan GoodmanCubism and the Trompe l'Oeil Tradition
– By David CarrierArcmanoro Niles: You Know I used to Love You but Now I Don't Think I Can: There Ain't No Right Way to Say Goodbye Again
– By Tennae MakiGaby Collins-Fernández: To A Portrait
– By David WhelanHimali Singh Soin: The Third Pole
– By Ruba Al-SweelJacolby Satterwhite: A Feeling of Healing
– By Alice GodwinCatherine Chalmers: We Rule
– By Tom McGlynnSig Olson: This Has Happened
– By Christopher T. RichardsMichiko Itatani: Celestial Stage
– By Conor LauesenBeverly Semmes: Marigold
– By Judith SteinCalled to the Camera: Black American Studio Photographers
– By Zoe AriyamaMichael Berryhill: El Paso
– By Jason StopaCharles Gaines: Moving Chains
– By Zoë HopkinsMaureen St. Vincent: Ripple Hiss
– By Elizabeth BuheRichard Hearns: Nomad
– By Raphy SarkissianIn the Balance: Between Painting and Sculpture, 1965-1985
– By Jonathan GoodmanPat Steir: Blue River and Rainbow Waterfalls
– By Amanda Millet-SorsaDavid Lynch: Big Bongo Night
– By Nicole WhiteRobert Motherwell Drawing: As Fast as the Mind Itself
– By Phong H. BuiJune Leaf
– By David RhodesModigliani Up Close
– By Jonathan FinebergLucio Fontana: Sculpture
– By Choghakate KazarianMel Kendrick: Seeing Things in Things
– By Joyce BeckensteinPhilip Guston Now
– By Rosa Boshier GonzálezLily Stockman: The Tilting Chair
– By Elizabeth BuheMeret Oppenheim: My Exhibition
– By Ann C. CollinsCiting Black Geographies
– By Adriana FurlongJoan Didion: What She Means
– By Olivia GauthierJust Above Midtown: Changing Spaces
– By Megan N. LibertyKerry James Marshall: Exquisite Corpse: This is Not the Game
– By Amber Jamilla MusserThe Tudors: Art and Majesty in Renaissance England
– By Christian KleinbubAnselm Kiefer: Exodus
– By Alfred Mac AdamWilliam Corwin: Lethe-Wards
– By Saul OstrowGeorg Baselitz: Six Decades of Drawing
– By Alfred Mac AdamLezley Saar: Diorama Drama
– By Annabel OsbergMichael Wang: Lake Tai
– By Gwendoline Cho-ning KamPamphlet Architecture: Visions and Experiments in Architecture
– By Carter RatcliffTom Uttech: Headwinds on Windigoostigwan
– By Louis BlockBill Miller
– By Charles SchultzRichard Pousette-Dart: 1950s: Spirit and Substance
– By Megan KincaidAnn Hamilton: Sense
– By Nolan KellyXavier Daniels: Cry Like A Man
– By Charles MooreMonet-Mitchell: Dialogue and Retrospective
– By Joseph NechvatalGuillermo Kuitca: Graphite Paintings from The Tablada Suite (1992) and Poema Pedagógico (1996)
– By Alfred Mac AdamJules Olitski: Late Works
– By Alex GrimleyAziz + Cucher: You're Welcome and I'm Sorry
– By Tennae MakiJacqueline Humphries
– By Barbara A. MacAdamHeidi Hahn: Flex, Rot, and Sp(l)it
– By Louis BlockNicky Nodjoumi: 1981
– By William CorwinK.R.M. Mooney: extence
– By Ashlyn AshbaughMichela Griffo: The Price We Pay
– By Ksenia M. SobolevaTony Cragg: Incidents
– By Jonathan GoodmanLynne Drexler: The First Decade
– By William CorwinMel Bochner: Seldom or Never Seen 2004-2022
– By William CorwinDavid Opdyke: Someday, all this
– By Akua BanfulGünther Uecker: Shields
– By Annabel KeenanAlex Katz: Gathering
– By Saul OstrowBrianne Garcia: Screaming in a Whisper
– By Clare GemimaTheaster Gates: Young Lords and Their Traces
– By Eleanor HeartneyPhilip Taaffe
– By Andrew Paul Woolbright
1×1
On Wolfgang Tillmans: To look without fear
Princess Julia & Vaughn Toulouse, 1989
– By Jessica HolmesEdinburgh builders, a, 1987
– By Mira DayalMunuwata sky, 2011
– By Chloe StagamanAlex & Lutz holding each other, 1992
– By Robert Enrightindian corn & pomme granate, 1994
– By Louis BlockIcestorm, 2001
– By James Wellingtree filling window, 2002
– By Amanda Gluibizzinackt, 2003
– By Tyhe CooperMaus, 1997
– By Mary ManningThe Blue Oyster Bar, Saint Petersburg, 2014
– By Zoë HopkinsMiss Kittin, 2001
– By Charles SchultzJohn Waters Sitting, 1996
– By Peter HalleyCorinne on Gloucester Place, 1993
– By Allie BiswasConcrete Column III, 2021
– By Wolfgang Tillmans
Books
Helen Dewitt's
The English Understand Wool– By John DominiOn Cormac McCarthy
– By Yvonne C. GarrettTiffany McDaniel with Carissa Chesanek
Bachtyar Ali's
The Last Pomegranate Tree– By John DominiJasmine Sawers with Kate Bernheimer
– By Kate BernheimerOn Anthony Julian Tamburri
– By Samuele F.S. PardiniJoy Harjo & Haruki Murakami
– By Yvonne C. GarrettMiranda Seymour's I Used to Live Here Once: The Haunted Life of Jean Rhys
– By Elaine SavoryEileen Myles’s Pathetic Literature
– By Cassie PackardLuther Hughes with Tony Leuzzi
– By Tony LeuzziAlyssa Quinn’s Habilis
– By John DominiRobert D. Richardson’s Three Roads Back
– By Emily BlackshearMichael Brenson’s David Smith: The Art and Life of a Transformative Sculptor
– By Brandt Junceau
Music
In The Eternal Now
– By George Grella38th Belgrade Jazz Festival
– By Martin LongleyChanneling Robert Ashley: Object Collection at The Brick
– By Dan JosephPlaying the Room
– By Scott Gutterman
Dance
Incalculable Evidence
– By Lauren BakstMuse-ship: Pleasurable Resonances
– By Doug LeCours and Julie MayoTender Mafia
– By Candice ThompsonHope after Tragedy
– By Noa WeissCorporeal Currents
– By Elinor KrichmarDance Your Fears Away
– By Susan Yung
Film
Karen Han’s Bong Joon Ho: Dissident Cinema
– By Harrison BlackmanThe Greatest Films You’ll Never See
– By Laura Valenza and Edward MendezRoss Lipman’s The Case of the Vanishing Gods
– By Rachel Elizabeth JonesLuca Guadagnino’s Bones and All (2022)
– By Nolan Kelly
Theater
YOU LOOK AMAZING
–A Bonkers Workplace Comedy About Life and Grief in Events
– By Billy McEnteeDespite its Bumpy History, Merrily We Roll Along Glides Back to New York
– By Billy McEntee
Fiction
from Aesthetica
– By Allie Rowbottom
Art Books
John Yau’s Joe Brainard: The Art of the Personal
– By Tyhe CooperFlurin Bisig’s Unformed Desire
– By Ruo JiaStrikethrough: Typographic Messages of Protest
– By Faride MerebPenny Wolin's Guest Register
– By Lyle RexerThe Ten Best Art Books of 2022
In Memoriam
Stefan Gierowski
– By Joachim Pissarro and Natalia GierowskaJuan Alonso
– By Lyle Rexer
ArTonic
The Sharpe-Walentas Studio Program
– By Andrew Paul Woolbright
Special Report
Visiting the Acropolis Museum
– By Krzysztof Wodiczko
Field Notes
What We Are Saying is Freedom, Not the Veil
– By Maya GonzalezNo COLA, No Contract:
On the Ground at the UC Strike– By Zach Hicks and Rebecca GrossTechnical Expertise and Communist Production
– By Nick Chavez
The Miraculous
31. The 1980s, various locations
– By Raphael Rubinstein32. 1940 to the present, Łódž, Poland; New York; the U.K.; Saugerties, NY
– By Raphael Rubinstein33. 1841, Dijon; 1908, Paris, 1908
– By Raphael Rubinstein34. 1974, Manila
– By Raphael Rubinstein35. February 11, 1963, 23 Fitzroy Road and 3 Abbey Road, London
– By Raphael Rubinstein
Art and Technology
Not for Nothing: A New Perspective from Peer to Peer
– By Charlotte Kent