Dec/Jan 22–23
Featuring interviews with Omar Ba, Gabrielle Goliath, Richard Jackson, and Tom Sachs. Guest Critic Lubbock Scapes Collective: “margins….”
The “Dec/Jan 22–23” Issue of the Brooklyn Rail was published on December 7, 2022.
ArtSeen
Leiko Ikemura: Anima Alma - Works 1981–2022
– By Jonathan GoodmanCubism and the Trompe l'Oeil Tradition
– By David CarrierArcmanoro Niles: You Know I used to Love You but Now I Don't Think I Can: There Ain't No Right Way to Say Goodbye Again
– By Tennae MakiGaby Collins-Fernández: To A Portrait
– By David WhelanHimali Singh Soin: The Third Pole
– By Ruba Al-SweelJacolby Satterwhite: A Feeling of Healing
– By Alice GodwinCatherine Chalmers: We Rule
– By Tom McGlynnSig Olson: This Has Happened
– By Christopher T. RichardsMichiko Itatani: Celestial Stage
– By Conor LauesenBeverly Semmes: Marigold
– By Judith SteinCalled to the Camera: Black American Studio Photographers
– By Zoe AriyamaMichael Berryhill: El Paso
– By Jason StopaCharles Gaines: Moving Chains
– By Zoë HopkinsMaureen St. Vincent: Ripple Hiss
– By Elizabeth BuheRichard Hearns: Nomad
– By Raphy SarkissianIn the Balance: Between Painting and Sculpture, 1965-1985
– By Jonathan GoodmanPat Steir: Blue River and Rainbow Waterfalls
– By Amanda Millet-SorsaDavid Lynch: Big Bongo Night
– By Nicole WhiteRobert Motherwell Drawing: As Fast as the Mind Itself
– By Phong H. BuiJune Leaf
– By David RhodesModigliani Up Close
– By Jonathan FinebergLucio Fontana: Sculpture
– By Choghakate KazarianMel Kendrick: Seeing Things in Things
– By Joyce BeckensteinPhilip Guston Now
– By Rosa Boshier GonzálezLily Stockman: The Tilting Chair
– By Elizabeth BuheMeret Oppenheim: My Exhibition
– By Ann C. CollinsCiting Black Geographies
– By Adriana FurlongJoan Didion: What She Means
– By Olivia GauthierJust Above Midtown: Changing Spaces
– By Megan N. LibertyKerry James Marshall: Exquisite Corpse: This is Not the Game
– By Amber Jamilla MusserThe Tudors: Art and Majesty in Renaissance England
– By Christian KleinbubAnselm Kiefer: Exodus
– By Alfred Mac AdamWilliam Corwin: Lethe-Wards
– By Saul OstrowGeorg Baselitz: Six Decades of Drawing
– By Alfred Mac AdamLezley Saar: Diorama Drama
– By Annabel OsbergMichael Wang: Lake Tai
– By Gwendoline Cho-ning KamPamphlet Architecture: Visions and Experiments in Architecture
– By Carter RatcliffTom Uttech: Headwinds on Windigoostigwan
– By Louis BlockBill Miller
– By Charles SchultzRichard Pousette-Dart: 1950s: Spirit and Substance
– By Megan KincaidAnn Hamilton: Sense
– By Nolan KellyXavier Daniels: Cry Like A Man
– By Charles MooreMonet-Mitchell: Dialogue and Retrospective
– By Joseph NechvatalGuillermo Kuitca: Graphite Paintings from The Tablada Suite (1992) and Poema Pedagógico (1996)
– By Alfred Mac AdamJules Olitski: Late Works
– By Alex GrimleyAziz + Cucher: You're Welcome and I'm Sorry
– By Tennae MakiJacqueline Humphries
– By Barbara A. MacAdamHeidi Hahn: Flex, Rot, and Sp(l)it
– By Louis BlockNicky Nodjoumi: 1981
– By William CorwinK.R.M. Mooney: extence
– By Ashlyn AshbaughMichela Griffo: The Price We Pay
– By Ksenia M. SobolevaTony Cragg: Incidents
– By Jonathan GoodmanLynne Drexler: The First Decade
– By William CorwinMel Bochner: Seldom or Never Seen 2004-2022
– By William CorwinDavid Opdyke: Someday, all this
– By Akua BanfulGünther Uecker: Shields
– By Annabel KeenanAlex Katz: Gathering
– By Saul OstrowBrianne Garcia: Screaming in a Whisper
– By Clare GemimaTheaster Gates: Young Lords and Their Traces
– By Eleanor HeartneyPhilip Taaffe
– By Andrew Paul Woolbright