Edward Mendez

Edward Mendez is a Ph.D. candidate in Film and Media Studies at the University of California, Irvine and is one of the editors of the film section for the Brooklyn Rail.

Our greatest hits this year include food monsters, three-and-a-half-hours on the dance floor, special effects lost to time, legendary films never made, and more.

 

The Greatest Films You’ll Never See, Vol. IV

Paul Thomas Anderson’s One Battle After Another is a brazen, hilarious, and prescient tale spun out of the pages of Thomas Pynchon’s Vineland (1990).

Leonardo Di Caprio as Bob Ferguson and Benicio Del Toro as Sensei St. Carlos in One Battle After Another (2025).  A Warner Bros. Pictures Release. Courtesy Warner Bros. Pictures.

Alyssa Lopez speaks to the Rail about her new book Reel Freedom and the emergence of Black film culture in early twentieth-century New York City.

Alyssa Lopez with Edward Mendez

This inaugural annual list features stories not so much about movies but rather about the act of watching a movie and the (often dark or dimly lit) spaces in which we enjoy them.

Bridge Theater, San Francisco, CA. Ragesoss, CC BY-SA 3.0 , via Wikimedia Commons.

We at the Brooklyn Rail want to give you the worst FOMO of your lives and tell you what you won’t see, can’t see, or may never get more than one chance in your life to see (streaming subscriptions be damned). With advice from our contributors, we present you Volume III of the “Greatest Films You’ll Never See.”

Hiroshi Shimizu, Sound in the Mist, 1956. © KADOKAWA.
Barry Jenkins discusses the Criterion Collection release of The Underground Railroad.
Courtesy Criterion Collection.
With our first list we sought to raise awareness of movies on film in need of preservation. In consultation with our contributors, the film section editors present you with Volume II of “The Greatest Films You’ll Never See.”
SN. Courtesy Fred Camper.
A feature length adaptation of his short, Torres’s Story Ave lets the Bronx breathe life into its characters.
Story Ave. Courtesy Kino Lorber.
Our goal is to raise awareness of movies on film in need of preservation, of indie or experimental films that don't get the attention they deserve, and even of bigger productions that were cast aside for unjust political reasons. With advice from our contributors, the film editors present you with our winter 2022 list of the greatest films you’ll never see.
The Flower Thief (1960, dir. Ron Rice). Courtesy Re:Voir.
Returning to his roots with a long delayed sequel to his breakout film, Kevin Smith’s final entry in the Clerks trilogy is perhaps his most sincere and earnest film. It is also a product of Smith’s life and wild career.
Courtesy Lionsgate.
Driven by its mission “to advance the understanding, celebration, and preservation of cinema,” the Academy Museum addresses film history through its dynamic and educational exhibitions.
Academy Museum of Motion Pictures, Saban Building. Photo by Josh White, JWPictures/ © Academy Museum Foundation
Wes Anderson’s delightful new film, The French Dispatch, is more than a love letter to American newspaper and magazine writers—it is a film committed to reveling in the craft of writing and storytelling.
Left to right: Bill Murray, Wally Wolodarsky and Jeffrey Wright in The French Dispatch. Courtesy Searchlight Pictures. © 2021 20th Century Studios All Rights Reserved.
The Criterion Collection's release of Deep Cover (1992) emphasizes the impact of hip-hop and the Black film boom of 1991 and warrants a close examination of how race and identity configure in the film's searing, yet ambivalent aesthetics. Available on DVD and Blu-ray July 13.
Courtesy of the Criterion Collection.

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