Praise Poems for Richard Serra
Bob Holman
Word count: 298
Paragraphs: 21
Somewhere a Place
Face space
With time
To leave
A mark
On time
In time
Simple surface
Cor-Ten strongest
Longest
Lastingest
Slowest rust
Dust
Tree rings unpeel
Rust streams
Weather’s record
Close-up of history
From the edge
Of the galaxy
A turtle’s carapace
A wobbling pivot
A snake’s tail
A route you will take
A solitary path
Step by step
Into time
Into art
Into the art of time
In the Middle of Nowhere
There is nothing
That is you
In the middle
The edges
Reach to the sun
Now you’ve begun
To see
What cannot
Be seen –
Nothing
And something
To hold
Nothing
Richard Serra, out-of-round IX, 1999. Paintstick on Hiromi paper, 79 1/4 x 79 1/2 inches. Whitney Museum of American Art, New York; purchase with funds from James Hedges and an anonymous donor 2000.10. Artwork © Richard Serra/Artists Rights Society (ARS), New York. Photo: Robert McKeever.
Always
Go the other way
Stretching steel
Into steel
Breath sway
Extrude
Simplicity
Exactitude
Certitude
Hot lead
On a cold day
Splatters
The future
Tree bark
On the floor
Barks
Tar base covers
Tar flow covers
Tar
Which way
You say
Timeless time
Breath sway
Earth explodes
Time stops
Art does not
Follow the Circle
You follow the circle
To reach the center
The center unfurls
To reach the edge
The edge tilts
To offer shadows
Walking into the shadow
You cast no shadow
You disappear
Into the shadow
You can get lost
You can stay lost
There is a way out
Do not take it
Installation view: Richard Serra: Torqued Ellipses, Dia Center for the Arts, New York, 1997–98. Artwork © Richard Serra/Artists Rights Society (ARS), New York. Photo: Dirk Reinartz.
It’s About Time,
While some people
are busy hanging
art on walls,
Richard says
walls are art,
not that his sculptures
are walls exactly,
know what I mean?
Richard is standing in front of Torqued Ellipse
In the middle of a grassy field as evening draws.
At this point Torqued Ellipse
Exists only in his mind
Plus a couple sketches.
“It’s about time,”
He thinks,
And we know he means that it’s about time this sketch muscles its way into physicality, as well as, for once, his giving words to “the meaning” of the sculpture, despite his core belief that art speaks directly to the observer without need of interpretation, yet the dual meaning must at least be mentioned, that is, besides being about time that this sculpture exist, acknowledging that the sculpture is inherently about Time.
Noticing the actual torque in the steel
The “stretch marks,” if you will
Of Torqued Ellipse
A steel wave ripple
Walk right inside
Richard’s Cor-Ten muscle
Inside sculpture
Inside time
Bob Holman is an American poet and poetry activist, most closely identified with the oral tradition, the spoken word, poetry films and poetry slam.
