Leah Triplett

Leah Triplett is a curator, writer, and editor.

June 2026ArtSeen

Isabel Nolan: Dreamshook

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Isabel Nolan’s Dreamshook, representing Ireland in this year’s Venice Biennale, includes fourteen sculptures, drawings, and tufted tapestries, all of which poetically explore the life and work of the Venetian printer and publisher Aldo Manuzio (ca. 1450–1515) in a distillation of how knowledge is a process of shared experience when an individual’s dream becomes a communal reality.

Isabel Nolan, Oh! & Aldus Dreams of a Plentiful Supply of Good Books, both 2026. Installation view: Isabel Nolan: Dreamshook, Pavilion of Ireland, 61st International Art Exhibition, La Biennale di Venezia, 2026. Courtesy the artist and Kerlin Gallery, Dublin. Photo: Mark Blower.

December/January 2025–26ArtSeen

Kader Attia: Shattering and Gathering our Traces

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Resonance—a full, reverberating, and soulful sound quality—is the title of the sprawling installation anchoring Kader Attia’s Shattering and Gathering our Traces, his first New York show in over five years.

Kader Attia, Untitled, TBC. Mirror, wood, pigment, glue, metal, 87 × 9 ½ × 95 inches. © Kader Attia. Courtesy the artist and Lehmann Maupin, New York, Seoul, and London. Photo by Studio Kukla.

Dec/Jan 2024–25ArtSeen

Rosemarie Beck: Earthly Paradise

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At Van Doren Waxter, Rosemarie Beck: Earthly Paradise is a kaleidoscopic glimpse at the subjects, themes, and formal concerns that Beck (1923–2003) examined over her prolific, iconoclastic career.

Rosemarie Beck, Double Portrait, 1959. Oil on linen, 56 x 41 inches. Courtesy the artist and Van Doren Waxter.

July/August 2023ArtSeen

Se Yoon Park: Roots and Wings

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Born in 1979, Park is of the generation of South Koreans who came of age amidst the country’s metamorphosis from an insular, agrarian society to an industrial powerhouse. Korean artists from this generation increasingly star in the global art world as international audiences seek to understand the past, present, and future of the divided peninsula. There are references to Korean culture in Park’s Roots and Wings, now on view at Carvalho Park, but more than a homogenization, it mediates heritage through a self-portrait drawn through aspirational dreams and the devotion of parents.
Se Yoon Park, Dream Pulley: Roots and Wings, 2023. Polyamide, acrylic paint, acrylic boxes, Baltic birch plywood, nylon rope, steel hardware, 76 x 43 x 7.5 inches. Courtesy the artist and Carvalho Park.

April 2023ArtSeen

Lyle Ashton Harris: Our first and last love

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Lyle Ashton Harris: Our first and last love presents thirty-five years of the artist’s work, which often veers into collage, installation, and performance in an exhibition that is as much a cumulative self-portrait as it is something of a mid-career retrospective.
Lyle Ashton Harris, Obsessão II, 2017. Mixed media collage on panel. © Lyle Ashton Harris. Courtesy the artist and LGDR, New York.

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