Harry Cooper
Harry Cooper is the Bunny Mellon Curator of Modern Art at the National Gallery in Washington, DC. After working at the Harvard Art Museums for a decade, he joined the National Gallery in 2008 as head of the modern and contemporary art department. He has organized or co-organized exhibitions and written essays on the work of Piet Mondrian, Medardo Rosso, Frank Stella, Stuart Davis, Oliver Lee Jackson, Philip Guston, and others. On the academic side, he has taught at Harvard, Columbia, NYU, and Johns Hopkins, and he edited The Cubism Seminars in 2017 for the Center for Advanced Study in the Visual Arts. His current project is a Helen Frankenthaler retrospective.
Dear Graham,
I’ve been meaning to write to you about The Bather with Outstretched Arms (1980–81) ever since John and Laurie Adams gave it to the National Gallery ten years ago. Sorry for the delay.
Here are five or more such objects in various states of assembly. The one that rises above the others may be finished: it offers a graphic representation of a seascape with windblown rain over choppy, curling waves.

