I walked into D’Lan Contemporary’s Upper East Side gallery to find Reggie Uluru waving from the corner; it’s early morning in Central Australia, and the eighty-five-year-old artist was Zooming in to attend his first international solo exhibition from a Mac desktop. Sixteen of Uluru’s paintings lined the perimeter of the gallery, shifting from red to orange to ochre to pale purple, having crossed hemispheres to bring a pocket of the desert to New York.

Heaven in a Wildflower focuses on how Krishna Reddy’s innovative intaglio prints are manifestations of the artist’s philosophy of wonder toward the universe. Reddy’s prints dot the walls with careful explosions, as if a series of experiments in which particles collide to colorful and radiant effect.