Techniques of distortion, collage, and multiple exposure describe the changes taking place across Makharda, where evidence of industrial blight and environmental decay is increasingly more visible. Sikka’s eye for the sculptural quality of form is ever-present, and there is a sense that each picture is as much a concept as it is a directive to look.

The images originated as photographs that TR Ericsson culled from his mother’s family photo albums. This is a deeply poetic book about love, pain, longing and hopefulness, and about how memory can deliver these experiences to us while misleading us along the way.

In Corrections, Jesse Krimes considers the role that photography has historically played in allowing states to simplify their respective populations to better classify and control them.

This survey is the logical result of the ever-increasing attention being paid to Japanese photography that has developed over the past twenty-five or so years. It opens up countless new directions for research, appreciation, and comparison.

The type of vision that Mark Armijo McKnight’s photographs provide, where that very landscape is no longer called upon to signify our mastery over nature, and where instead it might still be the site of something elemental, primordial even—is perhaps beyond us entirely.