Victoria Stephanie Uzumyemezoglu

specializes in art management, conservation, and restoration. She published an article on Iznik ceramic tiles of Turkey. She worked on curatorial projects and catalogue of the exhibition The Rise of Islamic Art at the Calouste Gulbenkian Museum of Lisbon.

If you ever find yourself hiking on and off trails in the mountains, or wandering around an industrially-shaped countryside landscape and looking for places that are not heavily trailed by human footsteps, then you might be able to spot Italian artist Maddalena Granziera at work. Explorative hikes are creatively and spiritually meaningful to the Veneto region-based emergent artist, whose painting and photographic artwork is imbued with surreal geographic references echoing cosmic allusions, her imagination, and a planet Earth untouched by human presence.
Maddalena Granziera, Isola senza nome (2/2), 2019. Digital photography, digital printing on photographic paper, 90 x 60 cm. Courtesy the artist.
After cheerfully strolling along a silent Venetian fondamenta in the still warm autumnal twilight, we meet artist Barbara De Vivi who leads us into her tiny studio. It makes such a contrast to leave the comfort of the warm sun to explore the grotto-like space where De Vivi, a Venetian emergent artist, colourfully layers mythology, ancient iconography, and contemporary imagery within her paintings.
Portrait of Barbara De Vivi, pencil on paper by Phong Bui.

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