Dec/Jan 19–20
Featuring interviews with Hans Haacke, David Lynch, Tiona Nekkia McClodden, and Michel Laclotte. Guest Critic Bill Goldston: “Collaboration in Printmaking.”
The “Dec/Jan 19–20” Issue of the Brooklyn Rail was published on December 11, 2019.
Critics Page
Collaboration in Printmaking: An Influence on Creative Thinking
– By Bill GoldstonBill Jensen
Marina Adams: Notes on Printmaking
Nathlie Provosty
Is there such a thing as distance?
– By Martha TuttleCarroll Dunham
Kiki Smith with Bill Goldston
Julia Rommel
Wyatt Kahn
Charline von Heyl
Printmaking and Studio Work
Writing on Stones
Christopher Wool
Lisa Yuskavage with Bill Goldston
BILL GOLDSTON with Bill Jensen
Publisher's Message
Dear Friends and Readers,
– By Phong H. Bui
ArtSeen
Sadie Barnette: The New Eagle Creek Saloon
– By Olivia GauthierAge of Who?
– By Esmé HogeveenOdessa Straub: There’s my chair I put it there
– By Robert R. ShaneMax Schumann: Tonight Where You Live
– By Tom McGlynnDark Laughter
– By William DavieOtherwise Obscured: Erasure in Body and Text
– By J CTo Fix the Image in Memory
– By Phong H. BuiLouis Osmosis and Thomas Blair:This is your captain speaking
– By Simon WuStephen Antonakos: Late Light Gold Works 2010–2013
– By Mary Ann CawsA Bridge Between You and Everything: An Exhibition of Iranian Women Artists
– By Cigdem AsatekinThree Christs, Sleeping Mime, and the Last Supper; Pagan Paradise
– By Amanda GluibizziDeb Sokolow: Profiles in Leadership // Drawings without words
– By Elizabeth BuhePeter Halley: Heterotopia II
– By William CorwinJohn Chamberlain & Donald Judd
– By Barbara A. MacAdamArt-Rite Book Launch
– By Mark BlochSally Mann: A Thousand Crossings, Remembered Light & Landscape
– By Rebecca BrantleyLe Modèle noir de Géricault à Matisse
– By Norman L KleeblattRagen Moss: 8 animals
– By Peter BrockFlorencia Escudero
– By Susan BreyerGünther Uecker: Notations
– By Barbara A. MacAdamTrisha Donnelly
– By Katherine SiboniAnn Greene Kelly: Eyelids Are Our Thinnest Skin
– By Nina WolpowRobert Mapplethorpe: Obsession and Mastery
– By Carter RatcliffMike Kelley: Timeless Painting
– By Lyle RexerPhilip Taaffe
– By David RhodesFélix Vallotton: Painter of Disquiet
– By Louis BlockNathalie Djurberg and Hans Berg: One Last Trip to the Underworld
– By Ann McCoyPope.L: Instigation, Aspiration, Perspiration
– By Jessica HolmesBaseera Khan: snake skin
– By Alan GilbertArtists Choose Artists
– By Joyce BeckensteinWilliam Blake
– By Bartolomeo SalaSofonisba Anguisola and Lavinia Fontana: A Tale of Two Women Painters
– By David CarrierKaren Kilimnik
– By Robert R. ShaneMarkus Lüpertz: Four To Three To Two
– By Richard ShiffRachel Harrison Life Hack
– By Tom McGlynnShirin Neshat: I Will Greet the Sun Again
– By Olivia GauthierIn a Cloud, in a Wall, in a Chair: Six Modernists in Mexico at Midcentury
– By Debra Riley ParrLeonardo da Vinci
– By Christian KleinbubRayyane Tabet: Alien Property
– By Sahar KhraibaniJasper Johns: Crosshatch
– By Josephine ZarkovichResilience: Philip Guston in 1971
– By Patrick J. ReedRobert Morris: Monumentum 2015–2018
– By Charlotte KentWilliam Hogarth: Place and Progress
– By Daniel PatemanLarry Poons: "First Thought, Best Thought"—The Particle Paintings (1996-2002)
– By David RhodesEbony G. Patterson: ...to dig between the cuts, beneath the leaves, below the soil?
– By Amber Officer-NarvasaOda Jaune: Beyond Gravity
– By Nikita Dmitriev
Books
LIDIA YUKNAVITCH with Elizabeth Block
The Pure Present: Ben Lerner’s The Topeka School
– By Greg CwikDESIRINA BOSKOVICH with Nancy Hightower
JILLIAN WEISE with Kathleen Rooney
The Starless Sea
– By Yvonne C. GarrettNegar Djavadi's Disoriental
– By Shohreh LaiciErin Carlson's I'll Have What She's Having: How Nora Ephron's Three Iconic Films Saved the Romantic Comedy
– By Colin LaidleyMarco Rafalà’s How Fires End
– By John DominiJohn Domini's The Color Inside a Melon
– By Jacob SingerDana Diehl and Melissa Goodrich with Joseph Scapellato
– By Joseph Scapellato
Music
Highly Selective Listings
– By George Grella and Brad CohanThe Revitalization of Caspar Brötzmann
– By John AmenAmayo: Fist of Flowers
– By Scott GuttermanDiscwoman: The Return of Techno
– By MG LeeJazzfest Berlin
– By Martin LongleyWhere Did Our Lust Go?
– By George GrellaBob Dylan In The Bardo
– By Raymond FoyeTropical Shreds: Las Nubes at Trans-Pecos
– By Lori DeGolyer
Dance
Editor’s Note
– By Gillian JakabDance and the Bauhaus
– By Mark FrankoVoguing Bauhaus
– By George KanAt Home and in the Crowd
– By Gillian JakabUtopia Falls Short
– By Mike StinavageBurning Up the House
– By Susan YungTraditional Kinetics, Queer Potential: Levan Akin’s And Then We Danced
– By Doug LeCours
Film
BERTRAND BONELLO with Steve Erickson
– By Steve EricksonSubterranean Cinema: A Return to the Geo-Imaginaries of the Hollow Earth
– By Erin EspelieSite and Sound: The Films of Ha Gil-jong
– By Jesse CummingA Satisfyingly Fruitless Search: On Charlotte Prodger's SaF05
– By Jaclyn BruneauBrooklyn's Beachfront Romance With Cinema Continues at the Coney Island Film Festival
– By Joshua Glick
Theater
Power & Punk: New York's Avant Garde Lifers
– By Sara FarringtonIn Blue
– By Amina Henry
Fiction
Manhattan Carnage
– By Noah Marcel SudarskyinSerial: part thirteen
The Mysteries of Paris–The Road to Golgonooza
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Poetry
AS
– By Steve Bensontwo
– By Ann Lauterbachfrom A Season
– By Michael Joseph Walshthree
– By Christina Davistoucan
–from New Notes for the End of the World
– By Karen WeiserBUT IT WON’T STOP THE WAR
– By Alan Gilberttwo
– By Alissa Quart
Art Books
Kenyatta A.C. Hinkle's SIR
– By Megan N. LibertyEnghelab Street, A Revolution through Books: Iran 1979 – 1983
– By Carol NisarPatrick Rössler's Bauhausmädels and Elizabeth Otto's Haunted Bauhaus
– By Lily MajtelesBarbara Happe and Martin S. Fischer's The Auerbach House by Walter Gropius with Adolf Meyer
– By Morgan Ridler
ArTonic
Protecting Renoir: The Legacy of Helen Frankenthaler
– By William Corwin
Field Notes
“Coup? What Coup?”
– By David SchmidtMic Check
– By Rob GerhardtA Life Defined by Political Engagement
– By John GarveyFrederick Douglass, John Brown, and the Virtues of Impracticality
– By NOEL IGNATIEV“Liberalization” and the Search for Radical Change in Israel
– By Oded Nir