Mark Hudson

Mark Hudson is the art critic of the Independent and editor-at-large for the Brooklyn Rail, based in London, England.

Over the summer, Mark Hudson paid a visit to the studio of Allen Jones. It wasn’t his first. Hudson has been at work on a book about Jones, that moves from his student years as a young man to his student years as art world elder. 

Portrait of Allen Jones, pencil on paper by Phong H. Bui.

On this showing Rockburne is an intriguing one-off figure who veers between forms and styles that feel all too familiar—Conceptualism, post-painterly abstraction—with an idiosyncratic undertow of metaphysical questing.

Installation view: Dorothea Rockburne: The Light Shines in the Darkness and the Darkness Has Not Understood It, Bernheim, London, 2024–25. Courtesy Bernheim.

On the occasion of an interconnected pair of exhibitions at the Whitechapel Gallery—one for which Boyce co-curated the work of Lygia Clark, and the other of which presents Boyce’s work—the artist joined Mark Hudson on the Rail’s New Social Environment (Episode #1023) to discuss her deep appreciation for Lygia Clark, the role of performance in her own work, and the importance of engaging with one’s audience.

Portrait of Sonia Boyce, pencil on paper by Phong H. Bui.
German artist Albert Oehlen began painting as a teenager and has continued working throughout the decades, moving from figuration to abstraction in a manner that makes the distinction less meaningful than it is for most painters. Oehlen’s interest in artificiality and the formal processes of layering and of experimentation underlie his recent work.
Portrait of Albert Oehlen, pencil on paper by Phong H. Bui.

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