Caedra Scott-Flaherty

Caedra Scott-Flaherty is a writer based in New York. She is also a former dancer and choreographer and loves all things terpsichorean.

Two writers in the April Dance section witness the buzz, violence, and booty bouncing of LA(HORDE)'s Age of Content. One sees the live collective experience as a balm for our chronically-online time; the other sees the work participating in the visual fetishization it seeks to subvert.

(LA)HORDE’s Age of Content, Brooklyn Academy of Music, 2026. Photo: Maria Baranova.

Jodi Melnick and Sara Mearns return to 92nd Street Y in March to present the world premiere of Superbloom (Dancing Into Choreographic Forms). The new evening-length piece for five dancers is inspired by female choreographers who have shaped the American modern and postmodern dance scene, as well as 92NY’s own storied history.

Sara Mearns and Jodi Melnick, Summer Performance Series, Carvalho Park, New York, 2024. Photo: Se Yoon Park.

Douglas Dunn + Dancers will present the world premiere of L’Embarqement pour Cythère at Judson Memorial Church. The evening-length work for twelve dancers choreographed by Douglas Dunn features new poetry by Anne Waldman. Dunn and Waldman recently spoke with the Brooklyn Rail about their enduring creative partnership, artistic lineage, and Merce Cunningham.

Left: Anne Waldman. Photo: Nina Subin. Right: Douglas Dunn. Courtesy the artist.
Ten dancers, five chairs, five pillows, and seven musicians: a conversation on the choreographer’s latest work.
The Look of Love, Jacob's Pillow, Becket, Massachusetts, 2023. Photo: Christopher Duggan.
On October 11, 1948, the weather was fair in New York City. Low sixties, a moderate breeze, a waxing gibbous moon. A crowd entered the New York City Center of Music and Drama and found their seats. The 8:45pm debut performance of a brand-spanking-new company—the New York City Ballet Company—was about to begin.
Tanaquil Le Clercq and Nicholas Magallanes in George Balanchine's Orpheus, 1948.  Photo: © The George Platt Lynes Estate, courtesy The New York Public Library (NYPL).

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