Bill Kartalopoulos

Bill Kartalopoulos is a multidisciplinary comics specialist whose primary research practice focuses on links between comics and various art and avant-garde movements. He teaches graduate courses about comics and graphic novels at Washington University in St. Louis, the School of Visual Arts in New York, and the Université de Picardie Jules Verne in Amiens, France. He recently co-curated Rewriting the World: Isidore Isou and the Lettrist Book at the Center for Book Arts. He is currently finishing a general history of North American comics, to be published by Princeton University Press, and is editing a second volume of Joe Brainard’s comics to be published by New York Review Books.

This book is implicitly about the craft of making comics and explicitly about the practice of telling stories. What makes a good story, Kim Deitch’s book asks? A good story is one that feels solid and alive, something that resembles and reflects the human experience.

Kim Deitch’s How I Make Comics
Any new work by Belgian artist Olivier Schrauwen is a major event for comics connoisseurs. His work impresses readers with a highly confident style that teeters between fluid naturalism and graphic abstraction, and makes inventive use of the comics form to serve his eccentric exploration of complex narrative themes.
Olivier Schrauwen's Parallel Lives
Joe Sacco has earned praise as the innovator of an entirely new genre within the comics field: long-form comics reportage, exemplified by his magisterial graphic novels Palestine, Safe Area Goražde, and Footnotes in Gaza (his masterpiece to date).
A prime mover in the Dutch underground comics scene of the 1970s and a stalwart of international avant-garde comics, Swarte, like many European artists, was steeped in the Hergé style—and engaged it more fully than most.
The last thing anyone expected from cartoonist Daniel Clowes is The Death-Ray, a dense, elliptical comics novella about a teenage superhero. Neither a send-up, nor a satire, The Death-Ray engages the concepts and tropes of superpowered comic book heroes as a lens through which to examine the American superpower.

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