September 2024
Featuring interviews with Georges Adéagbo, Matt Dillon, Alexandre Lenoir, and Charles Ross. Guest Critic Phyllis Tuchman: “Abstraction Now.”
The “September 2024” Issue of the Brooklyn Rail was published on August 28, 2024.
ArtSeen
Frank Stella at Jeffrey Deitch, Yares Art, And Nowhere
– By Richard ShiffLaToya Ruby Frazier: Monuments of Solidarity
– By Kamora MonroeMarcus Jahmal: Higher Animals
– By Amanda Millet-SorsaDonald Moffett: Nature Cult, Seeded
– By Chris CrosmanWalton Ford: Birds and Beasts of the Studio
– By Joseph AkelDisplacement
– By Hovey BrockCrafting the Ballets Russes
– By William CorwinTeresita Fernández & Robert Smithson
– By Matthew EricksonJoel Shapiro: Gouaches and Reliefs 1978–83
– By Ekin ErkanElfie Semotan and Nina Hollein: Inspiration Comes from Everyday Life
– By Ekin ErkanSean Scully: Procession
– By Natalia GierowskaFlora Yukhnovich and François Boucher: The Language of the Rococo
– By Amanda GluibizziAntikstübchen Nachwort
– By Pamela KortSixties Synchronicities
– By Catherine MonroyDavid-Jeremiah: I Drive Thee
– By Amber Jamilla MusserAndrew Cranston: One day this will be a long time ago
– By Terry R. MyersGalli: See How You Get On
– By Benjamin PaulPaula Modersohn-Becker: Ich Bin Ich / I Am Me
– By Cynthia PayneAllison Katz: In the House of the Trembling Eye
– By Suzanne HudsonGraciela Iturbide: Shadowlines
– By Bartolomeo SalaAl Held: About Space
– By Alex BaconCarla Accardi
– By Lyle RexerErnest Cole: House of Bondage
– By Bartolomeo SalaAlice Maher and Rachel Fallon: The Map
– By Rebecca SchiffmanKathia St. Hilaire: Invisible Empires
– By David CarrierJames Casebere: Shou Sugi Ban Sculptures
– By Hearne PardeeMourning Becomes Electric: Christina Quarles in Copenhagen
– By Patricia L LewyGina Beavers: Divine Consumer
– By Jessica HolmesEllen Siebers: Bouquet
– By Elizabeth BuheJoseph Brock: Every Asterism
– By Andrew Paul WoolbrightJeff Way: Then & Now: 1970–2024
– By Lyle RexerDavis Arney and Aparna Sarkar: Into The Fold
– By Jacob BrooksStephen Dean: Crescendo
– By Joe Fyfe