April 2019
Featuring interviews with Pierre Buraglio, Mira Schor, Justin Brice Guariglia, and Brett Wallace. Guest Critic Kyle Dacuyan: “Are You There? Are We?”
The “April 2019” Issue of the Brooklyn Rail was published on April 3, 2019.
ArtSeen
Sarah Trigg: Territorial Expansion of the Innermost Continent
– By Hovey BrockAria Dean: (meta)models or how i got my groove back
– By Alan GilbertSaul Steinberg: Untitled
– By Barbara A. MacAdamMetaphysical Masterpieces 1916—1920: Morandi, Sironi and Carra
– By Hearne PardeePaul Fägerskiöld: Flatlands
– By W TaoKour Pour: Manzareh/
Keshiki/ Landscape – By Hadley SuterJulia Rommel: Candy Jail
– By Nina WolpowJia Aili: Combustion
– By Graham W. BellAlec Soth: I Know How Furiously Your Heart is Beating
– By Colin EdgingtonFrida Orupabo & Arthur Jafa: Medicine for a Nightmare
– By Jessica LynneDerrick Adams: New Icons
– By Jan AvgikosChristina Forrer
– By Ann C. CollinsMimi Gross: Art as Social Entanglement
– By Johanna DruckerSanford Wurmfeld: Variations
– By Robert C. MorganJoe Andoe: Jubilee City
– By Eleanor HeartneyRefiguring Binaries
– By Charlene K. LauDon McCullin
– By Bartolomeo SalaHockney-Van Gogh: The Joy of Nature
– By Joyce BeckensteinGünther Förg: Works from 1986 – 2007
– By Phillip GriffithFrida Kahlo: Appearances Can Be Deceiving
– By William WhitneyStrategic Vandalism: The Legacy of Asger Jorn's Modification Paintings
– By Tom McGlynnAmerican Artist: I'm Blue (If I Was █████ I Would Die)
– By Vijay MasharaniDorothea Tanning
– By Daniel PatemanKaty Moran: I want to live in the afternoon of that day
– By Tom McGlynnArakawa: Diagrams for the Imagination
– By Mary Ann CawsYARITJI YOUNG + TJALA ARTS: APY LANDS
– By Jonathan GoodmanMerrill Wagner: Works from the ’80s
– By Robert C. MorganJeffrey Cheung
– By J CLinnea Kniaz: Running Bond
– By Melinda LangDon Dudley: Early Work
– By Melinda LangJasper Johns: Recent Paintings & Works on Paper
– By Alfred Mac Adam