October 2017
The “October 2017” Issue of the Brooklyn Rail was published on October 5, 2017.
ArtSeen
TREVOR PAGLEN: A Study of Invisible Images
– By Sadie Rebecca StarnesMERIEM BENNANI: Siham and Hafida
– By Jane CavalierTIFFANY JAEYEON SHIN: Like Water and Oil Never Assimilating
– By Jaclyn JaconettaMinimalism and Beyond
– By Benjamin CliffordLOIE HOLLOWELL: Point of Entry
– By Hearne PardeeKara Walker and the New History Painting
– By Allison Hewitt WardQueering Queer Abstraction
– By Joseph HenryMICHAEL BERRYHILL: A Window, Adore
– By Tom McGlynnSANFORD BIGGERS: Selah
– By Steven PestanaResurgent Histories, Insurgent Futures
– By T. D. TuckerLOUISE FISHMAN
– By Jan AvgikosWILLIAM WEGMAN: Dressed and Undressed
– By Pac PobricMIRA SCHENDEL: Sarrafos and Black and White Works
– By David RhodesHOLLY COULIS: Table Studies
– By Jason RosenfeldNAOTAKA HIRO: Gibbous
– By William WhitneyROSALYN DREXLER: Occupational Hazard
– By Colin EdgingtonALEX BRADLEY COHEN: Flat Top
– By Jane CavalierNSFW: Female Gaze
– By Jesse FirestoneKIKI SMITH: From The Creek
– By Steven PestanaPETER SAUL: Fake News
– By Hovey BrockAMIR NIKRAVAN: Rational Design
– By Ian CofréRAILING OPINION
– By Maura BrewerAnimal Farm, curated by Sadie Laska
– By Will FenstermakerANETA BARTOS: Family Portrait
– By Osman Can YerebakanMOUNIR FATMI: Survival Signs
– By Alan GilbertProof: Francisco Goya, Sergei Eisenstein, Robert Longo
– By Louis BlockRobert Motherwell: Early Paintings | Enormity of the Possible
– By Mary Ann CawsAD MINOLITI: G.S.F.C. (Geometrical Sci-Fi Cyborg)
– By Anthony HawleyLIZA BUZYTSKY and KAWITA VATANAJYANKUR: Stamina
– By Alexandra HammondAD REINHARDT: Blue Paintings
– By Eleanor RayAD REINHARDT: Blue Paintings
– By Alex BaconAD REINHARDT: Blue Paintings
– By Nathlie ProvostyFIAT#LUX
– By Mary Ann CawsELLIE GA: Strophe, A Turning
– By Kaitlyn A. KramerAMANDA ROSS-HO: My Pen is Huge
– By Hovey BrockDIANA AL-HADID: Falcon's Fortress
– By Steven PestanaMARK THOMAS GIBSON: Early Retirement
– By William Corwin