September 2017
The “September 2017” Issue of the Brooklyn Rail was published on September 7, 2017.
ArtSeen
LUCIE STAHL: End of Tales
– By Simone KrugBLUE BLACK: Curated by Glenn Ligon
– By Jason RosenfeldMYSTICAL SYMBOLISM: THE SALON DE LA ROSE+CROIX IN PARIS, 1892--1897
– By Ann McCoyMARY HEILMANN: RYB: Mary Heilmann paintings 1975—1978
– By David RhodesRADICAL BODIES: Anna Halprin, Simone Forti, and Yvonne Rainer in California and New York, 1955--1972
– By Kaitlyn A. KramerALVIN BALTROP: Selected by Douglas Crimp
– By Osman Can YerebakanTransitions: Dong Yuan, Lam Tung-Pang, and Lao Tongli
– By Alex WoodendRICHARD GERSTL
– By Will FenstermakerDON VAN VLIET: WORKS ON PAPER
– By Jonathan GoodmanRAPHAEL RUBINSTEIN AND HEATHER BAUSE: THE MIRACULOUS
– By Michael McFaddenRAILING OPINION
– By Hans HaackeAbstract Expressionism Behind the Iron Curtain
– By Joyce BeckensteinBELKIS AYÓN:NKAME
– By William WhitneyCAMERON MARTIN:
ABSTRACTS AND RETICULATIONS– By Robert R. ShaneART/AFRIQUE, LE NOUVEL ATELIER (ART/AFRICA, THE NEW WORKSHOP)
– By Eliza NicholsMAUREEN GALLACE: CLEAR DAY
– By David RhodesTAKE BACK THE FIGHT: RESISTING SEXUAL VIOLENCE FROM THE GROUND UP
– By Laura HatryAnalog Currency
– By Simone KrugQUEER BRITISH ART 1861-1967
– By William Corwin