Each track on Wendy Eisenberg’s Viewfinder is like a microcosm, an autonomous adventure with its own internal logic. After each is done, you feel like the next could go anywhere else in terms of structure and affect.

All of André Griffo’s paintings feel strung together, the wool filaments they often depict materializing a broader, conceptual weave. The works in Exploded View at Nara Roesler Gallery, Griffo’s first solo exhibition outside of his home country of Brazil, are entwined with each other, extending beyond their frames to create a rich tapestry of metalinguistic layers, like in a Borgesian fiction.

The first impression of Noise / Grain evokes a void. ILY2, the gallery showing Timothy Yanick Hunter's new solo exhibition, seems almost entirely empty, with just a few small works interrupting the white walls. This layout is, of course, intentional; with a short stroll through the space one understands more pieces are hiding in plain sight.