Roger Babb

ROGER BABB was for many years a playwright / director with Otrabanda Company. He worked as an actor for Joseph Chaikin, Jim Neu, Julie Taymor, Merideth Monk and many others. He taught at Princeton, NYU, Swarthmore and most recently at Mt Holyoke College.

Director Katherine Brook and playwright Liza Birkenmeier have crafted successful careers as experimental theater artists in New York City. Birkenmeier is a member of Ars Nova Play Group and a New Georges Affiliated Artist.
Katiana Rangel and ensemble rehearsing for Tragedy in Spades. Photo by Katherine Brook.
On July 14, 15, and 16, The Kitchen will present three days of performances, panel discussions, and video presentations honoring the work of the great downtown theater artist Jeff Weiss and his mentor and partner Carlos Ricardo Martinez.
Jeff Weiss and Richard C. Martinez, aka Murphy, in the 1990s in front of their 10th street apartment, where the first shows of And That's How The Rent Gets Paid were performed.
Oren Safdie’s newest piece, West Bank, UK, a musical on which he collaborated with composer/lyricist Robbie Cohen, is about an Israeli ex-patriot who returns to a rent-controlled apartment in London to find it occupied by a Palestinian refugee. The American landlord, unable to decide between them, suggests they try to learn to live with each other.
Mike Mosallam (right) as Palestinian refugee Aziz Hammond and Jeremy Cohen (left) as Israeli ex-pat Assaf Ben-Moshe in the new musical West Bank, UK by Oren Safdie and Ronnie Cohen. Photo by David Gochfeld.
Kabuki, the highly stylized, spectacular theatre of Japan, has over its four hundred year history become codified, sacralized and elevated to the status of a national treasure. It has the equivalent position of Grand Opera in Italy, Kathakali in southern India, Shakespearean performance in England and perhaps the National Football League in the United States. All of these performance forms have humble origins. They were under constant constraint from civil authorities and were publicly sanctioned as a moral danger to their communities.
The Theater of a Two-Headed Calf. Photo by Brooke O�Harra.
As Daniel Gerould, the distinguished theatre scholar has noted, melodrama was and still is a major art form in America.

This January, the Theatre of the Two Headed Calf will present their Kabuki influenced production of George Bernard Shaw’s Major Barbara at La Mama.  Co-founded by director Brooke O’Harra and composer Brian Connelly, the company has presented a number of critically well-received performance pieces over the last five years.

From Two Headed-Calf’s The Life and Death of Tom Thumb The Great. Photo by Brian Lilienthal.

Close

Home