Oliver Egger

Oliver Egger is a writer, editor, and musician based in New Haven. His writing has appeared in the Paris Review, The Believer, the Boston Globe, and elsewhere. 

When I told people I was going to see a staged adaptation of James Joyce’s Ulysses, the frequent response was a sharp eyebrow raise and a: “that should be interesting.” This is a 783-page novel of much-hyped obscurity that people don’t say they are “reading” but rather “wresting with.”

The company of Elevator Repair Service’s ULYSSES at The Public Theater, in partnership with Under The Radar festival. Photo credit: Joan Marcus.

The new production by Krymov Lab NYC, Metamorphoses (or A Few Ways of Keeping a Child from Running Around at His Great Uncle’s Funeral) is a shit show—literally. It includes a dozen raven puppets repeatedly pooping what looked like globs of sunscreen on the heads of the poor cast.

The company of Metamorphoses. Photo: Steven Pisano.

Close

Home