Nicole Pope

Inspired by the revolutionary activity of Weather Underground during the ’60s and ’70s, Dorfman’s latest work, Underground, emphasizes the persistence of the daily, moment-to-moment act of choosing your politics through a kind of kinetic diplomacy.
Joseph Poulson and Heather McArdle perform in David Dorfman’s underground. Photo by Jack Vartoogian.
The programs for Beverly Blossom’s performance at Baruch College (September), were handed out in wrinkled, crumpled wads
Well, it’s that time of year again: The middle of August, when everybody who can has escaped the city, and those who can’t escape reality at the always unpredictable Fringe Festival. We sent two of our fearless writers to check out a few dance offerings, and report back from the field. –Claudia LaRocco
Velocity at Fringe NYC photo by Julie Lemberger
Both clear and not so clear intentions were on display at Danspace Project in May for a Shares evening featuring performances by Osmani Tellez and Juliette Mapp.
Juliette Mapp. Photo by Tim Mapp.
China’s Yellow River (also known as China’s Sorrow) has made at least five major course changes since 602 B.C. During these tumults, the river destroyed everything in its path, causing major floods and killing hundreds of thousands of people.
Photograph of Yin Mei’s Nomad: The River by Julieta Cervantes.
Future Past is a sometimes heady rumination on death.
RoseAnne Spradlin’s Future Past. Photo by Roger Gaess.

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