After the release of The Turin Horse in 2011, a Nietzsche-inspired drama about the end of days, Béla Tarr vowed to make no more films. While the exhibition at Amsterdam’s EYE Museum doesn’t contain a new feature-length work, it does include a new short film.

The former house and studio of British conceptual artist John Latham is tucked away among a row of sleepy terrace houses on Bellenden Road in South London. Known as Flat Time House, after Latham’s idiosyncratic theory of time, the façade has been replaced with a giant cantilevered book-sculpture called How the Univoice is Still Unheard.