The two-person show featuring LA-based artists Candice Lin and Kang Seung Lee at Gallery Hyundai borrows its title, Not I, not I, but the wind that blows through me, from D.H. Lawrence’s poem, “Song of a Man Who Has Come Through.”

Canadian-born, New York-based artist Lotus L. Kang’s solo exhibition at 52 Walker takes its title, Already, from Korean poet Kim Hyesoon’s collection Autobiography of Death (2018). Written following the poet’s sudden collapse and the subsequent confrontation with pain and loss, the forty-nine poems in the collection reflect on death at both individual and collective levels.

Anicka Yi’s works in various forms of transition—decaying, evolving, fermenting, and learning—challenge the monumentality of a single artwork, combining the organic and synthetic to generate strange hybridity, and incorporating gut microbiomes to resist ideas of individuated senses of being.