Matthew Shen Goodman

Swiss-born and based now out of Berlin, Reto Pulfer embraces equal parts sculpture, installation, and performance for his multidisciplinary output.
Reto Pulfer, Zustandseffekte, 2013. Courtesy the artist; Balice Hertling, Paris; and HollyBush Gardens, London.
Fei has worked continuously over the years on three separate but related series: Calendar, Manuscript of Nature, and Tracing the Origin.
Cui Fei, "Manuscript of Nature VIII," 2010. Thorns on panels. Triptych, 57 x 33" each. Photo: David Broda.
Painting Advanced, a group show at Edward Thorp Gallery, gathers together a number of abstract painters under the always-tricky premise of envelope pushing.
Painting Advanced
There is refreshingly little curatorial handholding in Get Off the Lawn, a wonderfully haphazard group show at the young gallery, Parade Ground. The exhibition’s press release is the Irish folksong “The Ballad of Arthur McBride,” in which the narrator rejects the efforts of British military recruiters, and instead beats them up and steals their money.
L-R: Kellie Romany, "Just The Tip," 2012, oil on canvas, 90 x 76"; Michael Bill Smith, "Cardinal Tarcisio Bertone," 2011, acrylic, sparkly vinyl, glue, metal eyelets, upholstery tacks, 27 x 36"; Brian Hubble, "Untitled (No Man's Land)," 2013, stone tiles acquired from the United Nations building, 9 x 116"; Michael Ellis, "Untitled," 2013, oil on panel; 33 x 22". Images courtesy of parade ground gallery.

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