Mara Hoberman

Nearly 30 years after the Musée d’Art Moderne de la Ville de Paris introduced Keith Haring in Figuration Libre: France/USA (1984) alongside Jean-Michel Basquiat, Robert Combas, Hervé Di Rosa, and Kenny Scharf, the museum’s current Haring retrospective delivers the artist well beyond this neo-Expressionist context.
Keith Haring, "Reagan Ready to Kill," 1980. Collage de coupures de journaux et ruban adhésif sur papier 21.6 x 27.9 cm. Collection Keith Haring Foundation.

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