Lloyd Foster’s Height and Soil, curated by Destiny Gray, transforms the gallery window into both a portal and mirror. Installed at street level, Foster’s work celebrates the local community.

Walking through Malick Sidibé’s Regardez-moi [Look at Me] I began to think of photographs as monuments of memory. Taken in the years after Mali gained independence from French colonial rule, 1963–2008, this archive chronicles an open moment in Malian history where the people of Mali had the opportunity to define their national identity.

Sequestered moons, silhouettes of stilettos, stamped lips, and perching birds are nothing I would think to group together. Yet they sensibly coexist in Barkley L. Hendricks’s Space is The Place.