Lígia Afonso

LÍGIA AFONSO lives and works in Lisbon and sporadically in São Paulo as a researcher, critic, curator, and editor, developing individual and collaborative projects.

There is significance in the number of events in Portugal that are focused on the area of artistic creation, which is one of the preferential fields of production in contemporary art. One could imagine an artwork empty, considering its temporal synchronicity, but that rarely happens.
Still of the film Jotta: a minha maladresse é uma forma de delicatesse, 2009. Directed by Salomé lamas and Francisco Moreira. Produced by Joana cunha Ferreira and TERRATREME.
Art critics are now coming from areas such as journalism, music, philosophy of aesthetics—areas that could allow for a greater complexity of references and arguments concerning the art object.
Susana Gaudencio, Perpetual Light,Ã?â?? 6 Fascicles, edition of 150, April 2014. Ohm's law: Artists residency, exhibition and boite-en-valise at EDP Foundation, lisbon, curated/ edited by Filipa Valladares, Maria do Mar Fazenda and vivoeusebio. (c) Rui Dias Monteiro.

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