Lara Pan
Lara Pan is an independent curator, writer and researcher. Her fields of interest include art, science, technology, sound, architecture, and paranormal phenomena, with a focus on interdisciplinary projects that explore the intersections between these topics. She has curated numerous exhibitions in major art institutions, galleries, and nonprofits internationally. Including Wim Delvoye’s Torre, a monumental sculpture at the Peggy Guggenheim Museum during the Venice Biennale 2009; Carolee Schneemann, From Then and Beyond, including book with a same title published by VFMK (Kunsthalle Winterthur, 2019), and Tony Oursler, Experimentum crucis (Mestni Muzej of MGML, Ljubljana, 2020).
Connecting the seemingly-unrelated realms of artistic and scientific research has always been my primary goal—the exploration of invisible layers of new knowledge in order to uncover connections that may initially appear confusing, but which, upon closer examination, ultimately reveal profound relationships. And so I propose connecting several female artists under the umbrella of this common narrative and translating and elucidating their serendipitous ties to the Goddess Movement in order to harvest inspirational ideas for the Matriarchy of the Future.
