Lara Atallah

Fire portends calamity. It carries at its core the mission to obliterate all that is in its way. It is inherently destructive and regenerative, making it ultimately an oxymoron.
Installation view: Teresita Fernández, Charred Landscape (America), 2017, Lehmann Maupin, New York, March 17 – May 20, 2017. Photo: Elisabeth Bernstein. Courtesy the artist and Lehmann Maupin.
“The patriarchy has no gender,” writes A.L. Steiner in the latest issue of Aperture. Linking that system of society to neoliberal values, stressing ideas put forth by critical theorist Nancy Fraser, she describes mainstream Eurocentric feminism as an inherent adage to capitalism—an economic system that is in and of itself founded on, and sustained through, the oppression of women and minority groups.
In the midst of the political tide of darkness that has submerged the country, the Swiss artist Pipilotti Rist’s Pixel Forest retrospective at the New Museum is a much-needed gasp for oxygen.
Installation View: Pipilotti Rist: Pixel Forest, New Museum, October 26, 2016 ââ?¬â?? January 15, 2017.

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