Joseph Pomp
Joseph Pomp is an editor at Harvard University Press. His writing has appeared in BOMB, The Los Angeles Review of Books, Senses of Cinema, and elsewhere, including several edited volumes.
Sitting down with the Rail’s Joseph Pomp, Ashley McKenzie discusses music, neurochemistry, and relationships in the process of creating her new film, Queens of the Qing Dynasty.
Thom Andersen’s The Thoughts That Once We Had opens with a series of epigraphs.
If Broken Flowers (2005) was in a certain sense a distillation of the blue period that Bill Murray had entered upon teaming up with Wes Anderson in 1998, then Only Lovers Left Alive (2013) is a crystallization of how Jim Jarmusch has been subtly caricaturing his own boho persona over the last few years.
