Eyal Danieli

In the 20th century pantheon of modernist European painters, Giorgio Morandi’s image of formal purity, and his reputation of personal asceticism has been second to none, except, perhaps, for Alberto Giacometti.
Giorgio Morandi: The Art of Silence
Born in Chicago, he grew up in Los Angeles, and after having earned a B.A. from Trinity College in Hartford, CT in 1968, William Bartman immediately became involved in stage and film productions throughout the 1970’s and early ‘80s. At the West Coast Theatre Company in LA, he produced and directed several plays. Around the same time, he founded an artists-in-the-schools program, in addition to a theatre program at the federal penitentiary in Lompoc, CA, which included the staging of an all-inmate production of “One Flew Over the Cuckoo’s Nest,” as well as his work as director and co-writer of the ’82 movie “O’Hara’s Wife”—a comedy-drama starring Jodie Foster, Ed Asner, and Mariette Hartley.
Portrait of Bill Bartman Courtesy of A.R.T.
Born in Chicago, he grew up in Los Angeles, and after having earned a B.A. from Trinity College in Hartford, CT in 1968, William Bartman immediately became involved in stage and film productions throughout the 1970’s and early ‘80s. At the West Coast Theatre Company in LA, he produced and directed several plays. Around the same time, he founded an artists-in-the-schools program, in addition to a theatre program at the federal penitentiary in Lompoc, CA, which included the staging of an all-inmate production of “One Flew Over the Cuckoo’s Nest,” as well as his work as director and co-writer of the ’82 movie “O’Hara’s Wife”—a comedy-drama starring Jodie Foster, Ed Asner, and Mariette Hartley.
Portrait of Bill Bartman Courtesy of A.R.T.
The re-hanging of the permanent collection at the Museum of Modern Art offers the opportunity to consider the framing and the re-framing of parts of the collection, which began even before the museum embarked upon its expansion.
The Museum of Modern Art, designed by Yoshio Taniguchi. The Donald B.
and Catherine C. Marron Atrium looking east towards 5th Avenue with
Barnett Newman’s “Broken Obelisk” (1963-69) and Willem de Kooning’s
“Pirate (Untitled II)” (1981). © 2005 Timothy Hursley.
Recently, Eyal Danieli, a Brooklyn-based artist, spoke to Anat Biletzki, who teaches philosophy at Tel Aviv University and is Chairperson of the board of B’Tselem, a human rights organization in the occupied territories. The interview took place at the Rail’s office in Greenpoint.
Photo of Anat Biletzki at the Rail’s headquarters by Eyal Danieli.

Close

Home