Hansen has been making wordless electronic music for years, building each piece with organic accompaniment that’s often treated to make it sound both warm and worn.

A couple of years ago, two music-collective filmmakers invited a handful of like-minded electronic/experimental/hip-hop producers to participate in a rather tightly governed documentary film and record project.

I celebrated a minor triumph a few weeks ago when I restored disruption-free stereo playback at my apartment. Radio signal bleedover had been cutting into my personal turntable listening, but I stifled it with the help of a $16 preamp.

I didn’t know what to call Kode9’s work when I first heard it, but neither did the label that put it out.

Because I’m old and I prefer my living room above all else, I missed NYC’s Drew “Falty DL” Lustman when he headlined the monthly Turbotax party at Hugs in Williamsburg recently. Lustman produces jumbled, sonically riveting electronic music via computer software, keyboards, and a couple of turntables.