Cynthia Eardley

Asked to create a work for the Institute for Architecture and Urban Planning, Gordon Matta-Clark arrived with a BB gun and shot out their windows, intending to cover the broken glass with black-and-white photos of rundown houses in the Bronx.
Gordon Matta-Clark. “Splitting 10 & 11,” 1975. Four gelatin silver prints, cut and collaged. 24 x 36 x 2 (61 x 91.4 x 5.1) framed. Private collection, New Jersey. © Estate of Gordon Matta-Clark. Photograph by Sheldan C. Collins
Anyone disheartened by current world events should make it a point to visit the Guggenheim Museum’s 30-year retrospective of Zaha Hadid, one of the most prolific and inventive architects practicing today and the only woman to win architecture’s prestigious Pritzker Prize
Zaha Hadid, Phaeno Science Center. Wolfsburg, Germany, 1999–2005. Photo: Werner Huthmacher. Courtesy Zaha Hadid Architects, London

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