Ciara Moloney

The Japanese artist Tetsumi Kudo’s work emerged at the height of Cold War paranoia. From nuclear annihilation and techno-capitalist commodification to environmental collapse, manifest anxiety bursts from the artist’s diminutive birdcage sculptures, now on view at Andrea Rosen Gallery.
Tetsumi Kudo, Coelacanth, 1970. Painted cage, artificial soil, cotton, plastic, polyester, resin, pills. 10 1/4 × 12 1/4 × 6 inches.

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