Barbara London
Barbara London is an internationally acclaimed curator, writer and consultant with a practice that revolves around media, installation, and sound art produced internationally. Founding MoMA curator of video and media art, London’s writings include Video Art/The First Fifty Years (Phaidon, 2021), and articles in the Brooklyn Rail, Artforum, Leonardo, Art Asia Pacific, and Art in America.
Venice still has its charm, and the Biennale always features strong work. But a lot has changed, especially given the surfeit of digital information readily at hand. What makes someone search for meaning and pause for a moment to ask, what is reliable knowledge and what is meaningful experience?
Decades ago I met Asher Remy-Toledo, one of the kindest, humblest, and most open people, who quickly became an integral part of my life. He lived just a few blocks away from me, which meant we often met to chat while seated on a bench in Madison Square Park, or over a glass of wine in his favorite café. We always had a lot to discuss, given his insatiable curiosity.








![in Pursuit of Venus [infected], 2015–17, Lisa Reihana: Emissaries, Biennale Arte 2017. Photo: Michael Hall. Image courtesy of New Zealand at Venice.](/_next/image/?url=https%3A%2F%2Fstudio.brooklynrail.org%2Fassets%2Fd4f6dbe2-8457-4eb0-aa50-aaf84c590cb6.jpg&w=3840&q=75)
