“Reverse the way history is told.” What began as an aspirational curatorial intent for Congolese artist collective Cercle d’Art des Travailleurs de Plantation Congolaise (CATPC), ever since its members Matthieu Kasiama and Ced’art Tamasala inscribed those words on the walls of Lusanga International Research Centre for Art and Economic Inequality’s White Cube, reads more like injunction after viewing CATPC’s recent film Ku Sambisama Ya Nso Ya Mpembe (The Judgement of the White Cube).