Xintian Wang

Xintian Wang is a NYC-based journalist covering cultural stereotypes and arts. Her recent work appears in TIME, HuffPost, Teen Vogue, VICE, ARTNews, and Observer, etc. She is also the Director of Events at the Asian American Journalist Association (AAJA) New York Chapter. For more information visit: www.xintianwang.net

As an emerging art critic, I explore how the digital age is reshaping the art world, the vital role of underrepresented voices, and the challenge of finding sustainability in a profession where critique is often dismissed yet increasingly necessary.

A series of sealed aluminum tubes filled with radioactive soil, quietly glowing under soft lights compose the central installation in Michael Wang's latest show, Yellow Earth, at Bienvenu Steinberg & C. Though safe to handle, the potentially-contaminated earth samples of Yellow Earth (2024) allude to the daily reality of those living near uranium mines.
Installation view: Michael Wang: Yellow Earth, Bienvenu Steinberg & C, New York, 2024. Courtesy Bienvenu Steinberg & C.
The realm of fantasy has lately transcended its traditional boundaries, ceasing to be exclusively reserved for happily-ever-after endings, a transformation that finds resonance in the work of Icelandic painter Thordis Adalsteinsdottir. Her latest exhibition Some of It May Have Started at the River, showcased at Nunu Fine Art, delves into the darker facets of nostalgic fantasies.
Thordis Adalsteinsdottir, Events Taking Place Outside, 2023. Acrylic and flashe on canvas, 47 1/4 x 47 1/4 inches. Courtesy the artist and Nunu Fine Art.

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