Interdisciplinary artist Devin Kenny uses art as a unique language to articulate systemic structures: invisible logic and motives that dictate power relations as well as recognized narratives.

Louis Fratino lavishes art-historical quotations on doe-eyed, love-besotted young men in his jewel-like oil paintings with the same easy generosity as spring magnolias currently give off their perfume.

In Edwin Abbott’s 1884 novella Flatland, Mr. A Square, living in a two-dimensional plane, has an oracular vision when a three-dimensional sphere intercepts his world.