Vanilla Anandam

Vanilla Anandam is a University of Oxford postgraduate in the History of Art & Visual Culture. Her research and writing primarily focus on modern to contemporary art and time-based media.
The eleven oil paintings (all 2022) that comprise Dark Dreams at Alexander Berggruen Gallery, the artist’s second solo exhibition in New York, depart from the accepted conventions of Surrealism and forge ahead, past the threshold of dream and sleep.
Yuri Yuan, Nightmare, 2022. Oil on linen, 48 x 72 in. (121.9 x 182.9 cm.) Copyright the artist. Courtesy of the artist; Make Room, Los Angeles, CA; and Alexander Berggruen, New York, NY. Photo: Philipp Hoffmann.
In Citizen of the Universe, the artist’s first public solo exhibition in Europe, Modern Art Oxford (MAO) presents Asawa’s work, all of her work—art, family, and community—in tandem, akin to her lived life.
Installation view: Ruth Asawa, Citizen of the Universe, Modern Art Oxford, 2022. © Modern Art Oxford. Photo: Ben Westoby.
A water vessel with a hole cannot fulfill its intended function. In Between making and knowing something at Modern Art Oxford (MAO), Mariana Castillo Deball kills the utilitarian aspect of her Zuni pueblo-inspired red stoneware ceramics in a ceremonial action, perforating them with “kill-holes,” intentionally making them “something useless.”
Installation view: Mariana Castillo Deball, Between making and knowing something, Modern Art Oxford, 2020. Photo by Ben Westoby.

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