The exhibition, which spans sixty-five years, affirms Snow’s place in the pantheon of great visual humorists. It also suggests that he was perhaps the consummate contemporary artist. His comic greatness and his mastery of the procedures of contemporary art are very much entwined.

The little that happens in Skinamarink becomes suffused by digital noise with a nervous energy that is both narratively propulsive and visually potent on its own terms.