The name Gray Foy has been nearly forgotten. An enormously gifted artist, he produced a hard-won inventory of some one hundred works, mostly drawings that fall into two approximate categories: smaller format drawings marked by an indenture to Salvador Dalí and other Surrealists dating to 1941 – 48 (but remarkable for all that), and his mature, nonpareil efforts depicting botanical subjects from the late forties through the late sixties—his best work.