Philip Pearlstein

In 1999, I had an exhibition of my recent paintings at a gallery in Paris. At dinner following the opening, I was seated next to an art collector who spoke minimal English to complement my minimal French.
Francis Picabia, Parade amoureuse (Amorous Parade), 1917. Oil, gesso, metallic pigment, ink, gold leaf, pencil, and crayon on board. 38 × 29 inches Neumann Family Collection. © 2016 Artist Rights Society (ARS), New York/ADAGP, Paris. Photo: Tom Powel Imaging.

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