Parker Field

Parker Field is a Brooklyn-based art historian and writer, currently the Managing Director of the Arshile Gorky Foundation.

Two Time, artist Soren Hope’s first solo exhibition in New York City, is made up of seven oil paintings, five monotypes, and one flipbook, which itself consists of some one hundred and thirty drawings. It is as rewarding as it is ambitious, and well worth navigating the throngs of Canal Street and the requisite four-flight ascent to the gallery.

Installation view: Soren Hope: Two Time, New York Life Gallery, New York, 2025. Courtesy New York Life Gallery.
With the recent publication of the fourth and final volume of the Francis Picabia Catalogue Raisonné—a life’s work, of which he is a co-author—Camfield obtains his goal of making the WWII series known. Authored by Camfield, Beverley Calté, Candace Clements, and Arnauld Pierre, the four-volume catalogue raisonné includes 2,125 works spanning a range of media, predominantly painting and drawing.
Francis Picabia: Catalogue Raisonné Volume IV
The artworks I discuss in this article are, for the most part, unseen. They are either unrealized, destroyed, lost, or on display in a place that is geographically, administratively and, largely, psychically removed from New York City’s mainstream society—Rikers Island
Figure 1: Installation view of Man's Daily Bread by Harold Lehman, Mess Hall, Rikers Island Penitentiary. Photograph by Shalat, January 20, 1941. (Mural destroyed in 1962). Collection of the Public Design Commission of the City of New York. For the 1939 New York World's Fair, the American Arts Today pavilion commissioned Lehman to create replicas of two details from his Rikers project. One of the details is modeled after the figure in the lower right corner. The Driller, 1937, is in the collection of the Smithsonian American Art Museum and is currently on loan to the Whitney Museum of American Art for the exhibition, Vida Americana: Mexican Muralists Remake American Art, 1925-1945.

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