Nora Raine Thompson

Nora Raine Thompson is a writer, performer, and dance scholar. She is currently pursuing a PhD in Performance Studies at NYU.

Generator is a little trippy and also bewildering and undeniably entertaining. It feels like being charmed by a shiny surface and wondering if its glow can feed you even while it gets bought and sold and profited from in the bright aisle of a grocery store. It made me ask, what do we do with a passion for and deep suspicion of glossy imagery, shining spectacle? What is left when you generate stardom?

Neva Guido in Generator, Pageant, 2025. Photo: Amelia Golden.
Nora Raine Thompson muses on her expedition into The Room, a virtual collaborative imagination game created and facilitated by Anna Kroll and Chloë Engel.
Installation at Center for Art Design and Visual Culture, University of Maryland Baltimore County. Photo: Anna Kroll.
Two writers wade into the hazy environment of David Thomson’s new work to grapple with opacity and transparency, the magical and mundane. Where one sees an M, the other sees a W, yet both come away with a sense of intimacy in the unknown.
David Thomson's VESSEL at The Chocolate Factory, October 26-29, 2022. Photo: Ian Douglas.
One year after the premiere, Audre Wirtanen discusses her work DX ME FIX ME with Nora Raine Thompson. In conversation, the two laugh about bad doctors, consider the fetishization of pain in dance, and imagine healthcare that actually cares.
Audre Wirtanen performing DX ME FIX ME, Gibney Dance, 2020. Photo: Scott Shaw. Audre, a thin white hypermobile femme, lies on her back, balancing on a medical office stool and folding chair. Her shins press against the back of the chair while her hands rest on her ribcage. Pink light bathes her entire body while a blurry easel collaged with pictures of doctors, a drawing, and text is lit bright white in the background. The easel says THE MEN WHO FUCKED ME. Audre is in her underwear with ECG electrodes stuck to her breasts like medical pasties. Her expression is heavy and silent.

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