Noa Wynn

Noa Wynn is a New York-based freelance journalist with an academic background in art history who writes about arts and culture, focusing on global visual culture, photography, and new media.

Francine Tint: Open Color is not simply a presentation of luminous abstract canvases; it is also a history lesson in gender, abstraction, and the uneven distribution by which artists are absorbed into, or excluded from, the canon.

Francine Tint, The True Deceiver, 2024. Acrylic on canvas, 54 × 164 inches. Courtesy the artist and A Hug From The Art World.

Sam Jablon’s exhibition at Morgan Presents, Luck or Else, is an intimate inquiry into his hybrid practice as both poet and painter. While often categorized as a “text-based” artist, Jablon resists such taxonomies; his work refuses fixed classification.

Sam Jablon: Luck or Else
This book offers a counter-narrative to engaging with African photographic archives as well as photographic histories at large. Challenging the history of canonizing and prioritizing photographers, Brielmaier instead shifts the focus to Parekh’s sitters, particularly women, as a crucial part of the image itself.
Isolde Brielmaier’s I Am Sparkling: N.V. Parekh and His Portrait Studio Clients

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